Writing is often perceived as a solitary occupation, and there are times when all I need is my notebook and a pen. Having worked as a journalist in radio and TV newsrooms, writing copy for the next bulletin against the background of on air broadcasts, telephones ringing and a dozen conversations going on at once, for me, even peace and quiet is optional. Although I do prefer it if I have thinking to do.
But recently I’ve been reflecting on communities and how the different ones I belong to all inspire my writing.
Running
I’m part of the running and triathlon community in the North East of England and beyond. Through doing parkrun, races and by being a member of a very friendly online running site, I can pretty much guarantee that if I turn up at a local race, I’ll see someone I know.
I started to write about local races as a way of recording my own progress, or to remember a particular feature of a race, such as leg-sapping sand or a steep hill, for the next time. So it’s lovely when I get comments from other runners who read my race reports and say they’ve helped them.
Running also brought me back to personal writing after a long break away from it. I believe my professional writing is richer for it.
Writing
I’ve felt more part of a writing community since joining 26. The regular newsletters, articles and suggestions for books to read or things to see are a great source of inspiration. As too are the opportunities to get involved in 26 creative writing projects.
I jumped in first as a writer, contributing a piece for 26 Characters as part of a magical exhibition at the Story Museum in Oxford. Then more recently, I co-edited 26 Under A Northern Sky with Sandy Wilkie and got the opportunity to work with other amazing writers to launch a collection of creative writing inspired by a train journey from Newcastle to Glasgow and the music of Nick Drake.
I’m delighted that this project is currently taking on a life of its own, beyond my editorial influence, as writers are recording their pieces and adding them to an online soundscape.
Reading
Community is also a theme in John Simmons’ beautiful debut novel, ‘Leaves’ – my current reading material. It’s set on one street in London in the 1970s. The characters observed and imagined by the narrator looking back at events in his life.
I have only just started reading, and admit, I’m trying to ration my time among the pages, as I have a flight and airport time coming up and I know the inhabitants of Ophelia Street will be welcome company.
John has been posting a daily extract from the book on Twitter, which is a delightful tease. Each sentence seems to offer a short story in itself, but has left me wanting to read more. It merits a slow, careful reading to savour every word.
Here’s a taster from the first chapter:
“In January, we used to say, you saw Ophelia Street in its natural colours. Wintergrey hung like a fog; window boxes lay dormant.”
If you want to read on, you can follow John on Twitter @JNSim #Leaves
Living
Finally there’s my real community. The place where I live. Within five minutes walk from my front door, I can be among a range of small businesses, from coffee and gift shops, to restaurants, guest houses, food outlets, and an art gallery.
I enjoy a browse and a chance to talk to the people behind these largely independent and local businesses. They provide great resources, for me, not just in the goods that I buy and the contribution they make to the local economy, but also as inspiration for my business writing.
In seeking to de-bunk the jargon of business software, I often think to myself, ‘How would I explain this to the lady that runs the deli?’ Or ‘How would this help in the chocolate shop?’
I may not know the detailed ins and outs of their businesses, but keeping the people of my local business community in mind grounds what I write in reality. And that helps what I write about business sound authentic and human.